Forest Whitaker, James McAvoy, Kerry Washington, Gillian Anderson
27th Sep 2006
12th Jan 2007
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In an incredible twist of fate, a Scottish doctor (James McAvoy) on a Ugandan medical mission becomes irreversibly entangled with one of the world's most barbaric figures: Idi Amin (Forest Whitaker). Impressed by Dr. Garrigan's brazen attitude in a moment of crisis, the newly self-appointed Ugandan President Amin hand picks him as his personal physician and closest confidante. Though Garrigan is at first flattered and fascinated by his new position, he soon awakens to Amin's savagery - and his own complicity in it. Horror and betrayal ensue as Garrigan tries to right his wrongs and escape Uganda alive.
The Last King of Scotland Starting as a lively adventure, this film slowly twists into a haunting and unforgettable thriller, using real life events to tell a devastatingly powerful story.
After finishing medical school in Scotland, Nicholas (McAvoy) decides to see the world, settling at random on Uganda. Arriving during the 1971 coup, he works in a remote clinic with a husband-wife team (Kotz and Anderson). One day the charismatic new President Idi Amin (Whitaker) rolls in and takes a liking to Nicholas, offering him a job as his private physician. Soon Nicholas is one of the mercurial Amin's closest advisors, getting a bit too close to one of his wives (Washington) and starting to worry that he might be out of his depth.
The title refers to one of Amin's self-proclaimed titles (another was Lord of All the Beasts of the Earth and Fishes of the Sea). And the film boldly shows him as engaging and magnetic--a man who loved to have fun, but who was also fiercely paranoid and ruthlessly violent. It's a strikingly rounded portrayal of one of Africa's most notorious villains, and Whitaker gets it note-perfect: a bundle of energy that quickly shifts from likeable lightness to pitch black.
We see the story through Nicholas' eyes, and McAvoy is excellent. There's a real a spark of chemistry between the two men. As Nicholas' joyful naiveté gives way to dawning horror over five years, we are sucked into events with him. This is a disarming performance that makes the film's final act a deeply harrowing experience. We emerge from the cinema profoundly shaken, and with a clear understanding of the story's relevance in the world right now.
For his first narrative feature, Macdonald (Touching the Void) makes the most of his exceptional crew (including brilliant cinematographer Anthony Dodd Mantle). Macdonald's documentary experience shows in the realistic tone and nimble pace, plus an excellent use of actual locations in Uganda. He keeps the story intimate and personal, which makes it all the more affecting. This is a story about respect, honesty and waking up from self-delusion. And as it tightens its grip, it shakes us to the core.
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