Movie Reviews
The Walker (2007) Movie Information:
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The Walker (2007) Synopsis:
A contemporary drama set in Washington, D.C., "The Walker" centers around Carter Page (Harrelson), a well-heeled and popular socialite who serves as confidant, companion, and card partner to some of the capitol’s leading ladies. These pampered women are married to the most powerful men in America, and when their husbands are too busy running the country to attend to their wives, they turn to their "gay best friend," Carter, for warmth, wit, and wisdom. Carter's loyalty is tested when his dearest friend (Scott Thomas) finds herself on the brink of a scandal that could destroy her reputation and her husband’s career. Offering to cover for her, Carter suppresses incriminating evidence, only to find himself the chief suspect in a criminal investigation. Suddenly, this well-connected man-about-town is a pariah, hounded by the police and forced to find the true culprit and clear his name. More importantly, he must re-examine whether it is important to be accepted by a society based on betrayal, hypocrisy, and corruption. A tale of moral redemption that takes the form of a mystery-thriller, "The Walker" is the third part of Schrader's "lonely man" trilogy that began with "American Gigolo" (1980) and also includes "Light Sleeper" (1992).
The Walker (2007) Movie Review:
Moody and rather pretentious, this drama at least has a handful of intriguing characters, all extremely well-played, to keep our interest. While Schrader's writing and direction are sleek and insinuating.
Carter Page III (Harrelson) is the scion of a wealthy Southern family. He doesn't need to work, so spends his days walking wealthy women around Washington, DC. His three closest canasta buddies are Lynn (Scott Thomas), Natalie (Bacall) and Abigail (Tomlin), wives of the rich and powerful. But a murder investigation slowly begins to focus on Carter, clearly in an effort to deflect attention from Lynn's senator husband (Dafoe). And soon Carter's secretive boyfriend (Bleibtreu) is caught up in the scandal as well.
Schrader approaches this story with a gliding camera and artful sheen that feel like something from a late-70s melodrama. In some ways it feels almost like American Gigolo 2, as soulless hooker turns into a faded escort. There's enough going on in their conversations, and in their eyes, to keep us intrigued with the murky morality of it all. Clearly these are people who present one face to the public and another to their friends, and neither resembles who they really are.
Harrelson's Capote-like Carter is a fascinating bundle of physical quirks who feels utterly fake ("I'm not naive," he boasts, "I'm superficial"), even though he's the only genuine aristocrat in the story. With the exception of one moment of tenderness, his relationship with Bleibtreu is understated to the point of invisibility, and leaves a gaping hole in the plot. But his banter with his fabulous lady friends is colourful and entertaining. And when the whispering campaigns begin, with suspicions, threats and extortion, it gets truly interesting.
Schrader only cranks up the energy in one brief Hitchcockian sequence. Otherwise, the film inches toward each revelation, never quite resonating with the Washington we know and loathe. There are allusions to human rights abuses and homophobia, but no real grappling with the issues. Even so, it's pretty stirring to see a portrait of the world's power elite as living in a moral quagmire while harking back to a glorious past that was never really there.
The Walker (2007) review written by: Rich Cline