Seth Rogen, Leslie Mann, Paul Rudd, Katherine Heigl
1st Jun 2007
24th Aug 2007
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Allison Scott (Heigl) is an up-and-coming entertainment journalist whose 24-year-old life is on the fast track. But it gets seriously derailed when a drunken one-nighter with slacker Ben Stone (Rogen) results in an unwanted pregnancy. Faced with the prospect of going it alone or getting to know the baby's father, Allison decides to give the lovable doof a chance.
An overgrown kid who has no desire to settle down, Ben learns that he has a big decision to make with his kid's mom-to-be: will he hit the road or stay in the picture? Courting a woman you've just "Knocked Up," however, proves to be a little difficult when the two try their hands at dating. As they discover more about one another, it becomes painfully obvious that they're not the soul mates they'd hoped they might be.
With Allison's harried sister Debbie (Mann) and hen-pecked brother-in-law Pete (Rudd) the only parenting role models the young lovers have, things get even more confusing. Should they raise the baby together? What makes a happy lifetime partnership after all? A couple of drinks and one wild night later, they've got nine confusing months to figure it out...
Over two hours is far too long for a comedy. But everything else about this film works perfectly. Not only is it hysterically funny, but it's refreshing to see a movie about adults that's not dumbed down for kids.
Ben (Rogen) is a 23-year-old slacker living in stoned-out oblivion with four pals (Baruchel, Segel, Hill and Starr). On a night out, he meets sexy E! reporter Alison (Heigl). Several drinks later, they end up in bed; several weeks later, she discovers she's pregnant. They decide to make a go of their relationship, even though Ben can't get to grips with growing-up and Alison's on-screen career is threatened by her weight gain. And it doesn't help that Alison's controlling sister (Mann) and relaxed brother-in-law (Rudd) are having problems of their own.
Apatow's sharp writing and directing keep the film grounded even as the plot falls into a rom-com formula. The characters are full of life, played naturally by the gifted cast to draw out the absurd humour in everyday situations. We can certainly all identify with the rampant self-doubt everyone struggles with. Tiny details keep us laughing out loud and set us up for the more outrageous comedy set pieces.
And there are plenty of those, from Ryan Seacrest's hysterical outburst about spoiled Hollywood stars to a sudden onslaught of morning sickness (while Alison's interviewing a not-amused James Franco), from Cirque du Soleil on magic mushrooms to the uproarious birth sequence. Each of the bit players and cameos gets a chance to shine. Apatow somehow manages to give just about every actor he has ever worked with on film or TV a chance to steal a bit of the scenery. And they all go for it.
But Apatow is also knowingly examining relationships from an honest, grown-up perspective. If the language is blunt, the sex awkward, the medical sessions freaky, it's because this is how real people talk, behave and react. Each character has his or her unique reaction to what happens around them, struggling with change and acceptance. Yes, the film's overlong running time betrays some self-indulgence on Apatow's part. But since he's this good at telling such a likeable story, we'll let him get away with it.
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